Friday, 2 May 2014

Super Natural, Islington Arts Factory, May 23rd - June 6th



The time has come. To mark the end of my residency at Islington Arts Factory, I will be showing the fruits of my labour in a show entitled Super Natural from May 23rd to June 6th. The private view is on Friday 23rd May 6-9pm. All invited; 2 Parkhurst Road, N7 0SF. Press release below and I hope to see you there.

PRESS RELEASE

Islington Arts Factory (IAF) is pleased to announce "Super Natural" by Henry Blackshaw, the first exhibition in our artist residency programme. Henry has been the IAF's artist in residence from September 2013 to May 2014.

"Super Natural" presents Henry's work on narratives surrounding ghosts, spirits and poltergeists, and their parallels with our notions of art. All of the works have been made whilst Henry has been in residence.

The world of ghosts and spectres has more in common with the nature of art than might first appear the case. Thinking about the archetypal ghost story in relation to art might help shed light, like the flicker of a lone candle, on the similarities. The story goes that a ghost, a strange representation of something not there, appears to the lone, vulnerable viewer. It will be silent or mouth a message which we cannot hear. We are pinned to the spot, rendered speechless by this rift in how we perceive the world. The encounter will always be a deeply personal one. We only see the ghosts that we want to see, they exist in the eye of the beholder, and so we can never be sure if they are real or have been cooked up by some lowlife fraudster.

It is by thinking about these stories, by substituting the ghost for an artwork, that Henry has tried to glimpse at some of the traits at the heart of an artwork. In some cases he has overlaid ghost-lore onto art in an attempt to summon a ghost on silk.

For the last four years Henry has worked on silk and his project on ghosts grew organically from his experience with his materials. “I’ve always thought that my silks have a ghostly quality to them. They move by their own accord when caught by the wind or someone walks past them. And effectively they’re just a sheet with some holes in.”

Henry has largely developed his own techniques for working on silk. The works are made with a combination of fabric dyes, fabric paints, screen printing, gutta lines, burn holes, and are steamed, stretched, washed and ironed.

Henry (b. 1979) studied fine art at Chelsea College of Art and Design as a part-time student. His first degree was in German & History from the University of Birmingham. In 2013 he was selected to show at Futuremap, the UAL's annual survey of graduate talent. You can see more of his work at www.henryblackshaw.blogspot.com. Please follow him on Twitter at @henryblackshaw.

The Islington Arts Factory was founded in 1977. It is the only multi-arts community centre in the London Borough of Islington and provides over fifty educational courses in art, dance and music for children and adult learners. Online at http://islingtonartsfactory.org/; on twitter at @IAFholloway.

Wednesday, 16 April 2014

Silk Drawings



Studies for works that I'll be showing on May 23rd. More info to follow soon.

Monday, 17 March 2014

Vanishing Tam




140 x 140cm; silk, paint, burn holes.
I'll get there one day with photographing the back lighting..

Saturday, 22 February 2014

Silk drawings






Drawing, drawing, drawing, trying to get my work how I want it in time for my show in May. Arghh.

Wednesday, 29 January 2014

The Figure in the Gallery


140 x 140 cm; Silk, paint, burn holes

Tuesday, 21 January 2014

Arnold Circus


Leaving gift for Seb and Iz. Will always think of them when I'm at Arnold Circus.

Saturday, 21 December 2013

Cold Kisses



140 x 140 cm; Silk, paint, burn holes

Monday, 16 December 2013

MakeArt Exhibition at Islington Arts Factory


What would it be like if children ruled the world? We'd finish work at 3pm and spend the afternoon on playdates or just sitting upside down on the sofa. Petit Filous would be our national dish. We'd all sing a lot more (as long as it's not Wind the Bobbin Up count me in). We'd have to travel around on those weird scooter things that they're all obsessed with. And justice would be a lot harsher, eked out with a pinch or even a bite.

You can't help think about kids as miniature overlords when you look at their powerful, ribald and sometimes, if I'm honest, a little creepy artwork on show at Islington Arts Factory. The 200 or so paintings, drawings and sculptures by 4-18 year olds display a directness, a freedom of imagination and a brutish control of materials, all dispatched with unapologetic assuredness. ALL the attributes really which you spend so long trying to rediscover at art school.

Take the below for example. It's from a workshop called Imaginary Cities, age-group 7-11. It looks like a more visceral Paul Noble. I love how the artist has distilled the terror and noise of modern cities into three of its most potent progeny: cars, planes and bombs.

Try wearing this Cinderella. Is it an object or a sculpture? Surely all sculptures are just objects at the end of the day. This work steps right into this debate with all the delight of a green frog-eyed welly into a brown puddle. I love how it seemingly invites you to put it on. I would not like to try wearing this.

Then there's this soulful painting. So much pathos in so few details – eyes, nose, mouth. It makes you realise what great artists Munch and Guston were.

I could go on. I have the pleasure of walking through this show several times a week since my studio is at the back of the hall. Sometimes it has felt like looking at the relics of a society where all the adults have left and no-one's sure when they're coming back. The objects are odd, thrilling, and just because they're made by children, no less true.

Saturday, 16 November 2013

Anne Naylor


Silk, paint, burn holes; 140 x 140 cm

Friday, 18 October 2013

Scandie Walk


This September I went walking in north Sweden. We walked from Abisko to Nikkoluokta, 75 miles in all, mainly along the Kings Trail or Kungsleden as it is known. It was a group holiday; at times it felt like a school trip or being on Swedish Big Brother. My favourite part was staying in the mountain cabins, you could only get to them by foot. They had no running water or electricity and were run by Swedish fairy men. I also got really good at saunas and ate a life's supply of Ryvita. The landscape was pretty awesome too. I spent a lot of time drawing. I've posted a few more on my twitter.